This the second English language edition of the classic text, "A Dictionary of Theatre Anthropology" subtly juxtaposes the visual demonstrations of the performers craft, from a wealth of Oriental and Occidental sources. Whereas most Western research is concerned with naturalism and psychological realism in acting, the "Dictionary "focuses on the performer's arduous and eclectic...(展开全部)

What constitutes dramatic performance? Is it make-up, set, intention? Juxtaposing the performer's craft as it is understood in the Occident and Orient--in the context of plays, combat, religion and ritual--A Dictionary of Theatre Anthropology elucidates the nature of dramatic action and the actor's craft by examining the dramatic event cross-culturally. The result of ten ye...(展开全部)

Robert Layton provides an authoritative introduction to the richness and diversity of art forms in non-Western societies. He addresses the problems of aesthetic appreciation across cultures, the varied uses of art, and the fundamental problem of what constitutes 'art' in societies varying from the traditional kingdoms of West Africa, with their specialist craftsmen using precio...(展开全部)

This anthology provides a single-volume overview of the essential theoretical debates in the anthropology of art. Drawing together significant work in the field from the second half of the twentieth century, it enables readers to appreciate the art of different cultures at different times. Advances a cross-cultural concept of art that moves beyond traditional distinctions betw...(展开全部)

This anthology provides a single-volume overview of the essential theoretical debates in the anthropology of art. Drawing together significant work in the field from the second half of the twentieth century, it enables readers to appreciate the art of different cultures at different times. Advances a cross-cultural concept of art that moves beyond traditional distinctions betw...(展开全部)

Excerpt from On the Art of the Theatre Then there are other surprises, those engineers, those directors of journals, those managers of stores, those sea captains, men who startle one by suddenly putting in an appearance and expressing a sincere and hearty desire to join in the festivities.

This innovative reader brings together classic theoretical texts and cutting-edge ethnographic analyses of specific state institutions, practices, and processes and outlines an anthropological framework for rethinking future study of “the state”. Focuses on the institutions, spaces, ideas, practices, and representations that constitute the “state”. Promotes cultural and tra...(展开全部)

The Art of Anthropology collects together the most influential of Gell's writings, which span the past two decades, with a new introductory chapter written by Gell. The essays vividly demonstrate Gell's theoretical and empirical interests and his distinctive contribution to several key areas of current anthropological enquiry. A central theme of the essays is Gel's highly origi...(展开全部)

In 1953, Samuel Beckett’s Waiting for Godot premiered at a tiny avant-garde theatre in Paris; within five years, it had been translated into more than twenty languages and seen by more than a million spectators. Its startling popularity marked the emergence of a new type of theatre whose proponents—Beckett, Ionesco, Genet, Pinter, and others—shattered dramatic conventions and...(展开全部)